Category: People

Nathan Gunn

Nathan Gunn

Nathan Gunn
Rick Florino

Baritone star Nathan Gunn dishes on The Magic Flute, motorcycles, metal and making opera cool

The opera world needed a rock star. Instead, it got Nathan Gunn, who happens to be so much more.

“Opera really is like the original heavy metal,” laughs Nathan. “It does have its softer side. However, if you like your music loud and exciting, head to the opera and see Verdi’s Requiem or Otello.

I think Metallica and Verdi are pretty similar, and Rammstein are really like Alban Berg!” If you’re in Los Angeles and like it loud, forget the Sunset Strip! Instead, you can see Nathan in a phenomenal, funny and poignant production of Mozart’s The Magic Flute at the Los Angeles Opera House. Nathan’s run as Papageno commences on January 10th and ends January 25th. He couldn’t be more thrilled either.

Sitting in Kendall’s Brasserie, a classy bistrostyle restaurant adjacent to the opera house, Nathan doesn’t seem like your average opera singer. He’s got long dark brown hair and a strong physical presence. Donning a green sweater, jeans and fashionable glasses, Nathan definitely doesn’t fit the stuffy opera stereotype.

Nevertheless, the man has opera cred to spare. His undeniable baritone has dominated the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Paris Opera and the Théâtre Royal de la Monnaie in Brussels. Plus his many roles run the gamut from the title character in Billy Budd to a stint in Hamlet. He’s rocked Carnegie Hall and The Hollywood Bowl, in addition to carrying concert performances With the New York Philharmonic, Boston Symphony Orchestra, London Symphony Orchestra and Rotterdam Philharmonic Orchestra.

For commendations, he’s also garnered the first annual Beverly Sills Artist Award, and was recently honored with the Pittsburgh Opera Renaissance Award. Not too shabby at all.

However, even with all of his accolades, Nathan’s extremely downto- earth. That’s why he likes The Magic Flute so much. “I love The Magic Flute because it’s one of the operas that Mozart wrote for the people. Emmanuel Schikaneder wrote the words to it, and he had his own theater. He aimed to write something that would sell on a lot of different levels. I really believe that’s something the opera world needs to do a little bit more. We need to remind ourselves we’re not a museum of high art, but we’re actually supposed to be communicating to people on the whole. This particular opera was written for that.” Nathan’s character isn’t even that different from him — well, minus the bird trapping. “I’ve been married for 16 years, and I have kids. The character that I play, Papageno, is a guy who likes simple pleasures.

He catches birds for a living, and he’s been out in the wild a little too long [Laughs]. He basically wants wine, something to eat, enough sleep and maybe a good looking girlfriend at some point. That’s it. He doesn’t care about anything else. He doesn’t want to fight for truth, justice and wisdom. He’s just a guy! It’s refreshing.” As the waiter brings French fries and soup, Nathan continues, “It’s a funny opera because you see the juxtaposition of Tamino who’s a prince and Papageno — the hunter. Tamino’s goal is to be a poetwarrior or philosopher-king. Papageno doesn’t want that. He simply wants to live his life. You see how the two characters play off each other and work together. Mozart was making a bit of a joke. There’s also a ton of inside stuff about Freemasons and a lot of other subtleties in there. You can find those, or you can just enjoy it for what it is.” Such is the beauty of The Magic Flute — neither Mozart nor Nathan are about to tell the audience how to interpret it. There’s an honesty to opera that Nathan highlights and takes pride in.

“When you see an opera, it’s the one medium that expresses this purely human experience of the world without any impediments. All you hear is people vibrating. There’s no amplification.

Everything you get out of that pit is someone making the sound or their actual bodies vibrating.” There’s no veneer in opera, no backing tracks, no amplification and no overdubs. It’s raw, unbridled vocal power, and Nathan’s the modern day king of it. “When you go into the theater, it’s almost as if you’re in the cello itself. We’re the strings buzzing up on stage. The hall is the final resonator, and everyone’s sitting in it. It’s a really interesting form of human communion. You have to be born with a voice that can make enough sound to sing like that, but then you train and sing in a healthy way. It’s no different from other athletic pursuits.

A pitcher, if he’s throwing well, really could have a long career if he takes care of himself.” Nathan’s no stranger to athletic pursuits either. Growing up in South Bend, Indiana, he was a star sports player in high school. “I played a lot of sports as a kid,” he says with a smile. “I always had a good Voice, so I was asked to join different choirs and shows. I felt confident to do it, because if you’re a good football player, you can also get away with being in a choir [Laughs].” He’s unabashedly a guy’s guy too. He’s more likely to be seen cruising on his motorcycle than anything else during his free time. “I have a Triumph. It’s great! My dad rides as well, so we do trips every summer. This business can be all-consuming. I needed something to distract my mind from it.

When you ride a motorcycle, you can really concentrate on that alone.” Another extracurricular activity includes teaching at the University of Illinois, where he and his wife are both professors. That’s something Tommy Lee could never cop too, but Nathan’s more than your average stage star. He recently made a hilarious appearance on the Colbert Report, and People Magazine named him one of the sexiest men alive.

However, none of it’s gone to his head.

Nathan keeps himself grounded because he’s so passionate about each and every role he takes on. He truly becomes the characters, while imbuing his own stamp on them.

In between French fries, he exclaims, “I love to portray the title character Billy Budd and Papageno in The Magic Flute. I really feel like I’m a better person after I’m done with them because they’re such good guys. When you play a character, you have to open up a certain part of yourself to the particular journey of the character. When I do that with Papageno, I look at life a little more simply.

I’m a bit more thankful for the things I have.

It’s childlike in the sense that he really is without pride. He knows absolutely who he is.” In the end, Nathan has big dreams for the opera. “I hope we can pull more people into this that don’t necessarily know about the medium. I didn’t grow up with this art form; it found me. I feel like, if I could get it, a lot of other people could get it. My musical sensibility is not that different from most people. When opera’s good, it’s great. When it’s bad, it can be pretty boring. They’re slowly taking the sophistication out of it. I just can’t buy into it — that pretense defeats the whole purpose. It keeps people away.

The point is not the medium itself, it’s to communicate a message to the audience.

That’s what I want to do. It drives me crazy when people put up these barriers to keep others out. It was never intended to be that way. In the old days, people would talk through the entire opera, even! They were there to gather and enjoy themselves.” What’s more rock n’ roll than that?

Emerging Talent – Brutha

Emerging Talent – Brutha

Emerging Talent
Rick Florino

All in the Family BRUTHA

R&B needs Brutha right now. The Los Angeles quintet blends classic Motown flavor and modern “swagga” into a sound that’s simultaneously sexy and soulful. On their eponymous Island/Def Jam debut, these five young brothers revive soul with a smile. Their record, which came out on December 21st, has got feel to spare, and it’s the end result of a long hard road. Their journey from the streets to the stage is chronicled weekly on the hit BET show Brothers to Brutha. However, all of this recent time in the limelight hasn’t gotten to them.

Sitting in the Def Jam conference room, Brutha — Jake, Jared, Grady, Papa and Anthony — are some of the most genuine and funny cats you could come across. It doesn’t even feel like a label office when they’re there. It’s like a family gathering. That family chemistry is all over the record too. “As brothers, our bond is so crazy that it separates us,” explains Anthony. “I’m not saying it in a cocky way, but it’s a bond that I know the people in the crowd feel. It’s just a brotherly link. There’s that feeling that it’s this big family affair.” Everyone is also welcome in the Brutha family, and this is music that anyone can vibe with. Grady continues, “Our lyrics are very positive.

They’re real. There’s nothing falsely contrived. We got the chance to co-write our first single, and we worked with a lot of really talented writers on the album including Ne-Yo, The Corner Boys, R.L. from Next and Daron Jones from 112. We bring across real issues that people can relate to.” The show has become a success because people can relate to them as well. Jake states, “I think people are connected to the show because Of its honesty. Right before the cameras came, we were concerned about how we were going to be portrayed. We didn’t know if we should lay back on this or that. You know what? At the end of the day, we’ve got problems, we’re a family and we love each other. Why not show the world our problems and the way we solve our problems?

We are who we are when the cameras are rolling.” Jake shows that even though some of the songs are about being brokenhearted, their respect for the ladies remains in tact. “We try not to belittle or disrespect women, and we don’t use any curse words. We stay positive lyrically. In music today, there’s so much negativity. I’m not saying all rap music is negative, because it’s not.

There’s positive rap, but rap rules the airwaves right now. There’s not a lot of positive R&B, and that’s why we want to bring that back.” They’re bringing it back full force on tracks like the first single, “I Can Hear the Music” and “She’s Gone.” Both songs pack a classic sense of suave and a 21st century wallop. Papa shows the most important aspect of the group’s music though. “People go through a lot these days. I always saw music as my escape. I always wanted our music to be that escape for somebody when they’re going through something.

They put our record on to get through their situations.” Ultimately, Jared puts it best, “You’ve always got to put on some R&B to get through what you’re going through. R&B does touch the soul.” With that, they serenaded this writer a Capella, and backed up every word they said in the course of our time together. They’re the real deal, and I truly felt part of the family.

Emerging Talent: Kerli

Emerging Talent: Kerli

“I got to meet Tim Burton, and he was so [expletive] cool,” exclaims Kerli from a local Silverlake haunt. “I asked him if his art was always understood or if he had a little bit of difficulty in the beginning. He said, ‘Yeah, kind of, but the hardest part was going to school because I didn’t really want to go. I never understood school.’ That really hit home for me because I quit school when I was 16. We had a nice conversation. He was so humble and down-to-earth.”

The same could be said for Kerli. Even though she has a powerful presence when she walks into a room, she’s affable and extremely warm. The 21-year-old Estonian songstress became a pop music phenomenon in her own country, but she always desired a much larger audience than home could provide. She got that audience this summer with the release of her Island/Def Jam debut, Love Is Dead. It’s a hauntingly hypnotic collection of songs that strikes a balance between the ethereal brilliance of Portishead and the raw catharsis of KoRn. After numerous release date shifts and dealing with the fickle tides of the industry, Kerli went through hell to get her music heard, but Love Is Dead is already resonating with the fans and critics in a big way. That’s because the album simply bleeds emotion.

She explains, “Every track is really honest. I want the music to grab people’s attention. I put everything I had into this record. If I’m really hurt, I’ll often write at that time. So when I was in the studio, every time I did a take, I took myself back to those moments.” Kerli certainly explores the darker side of the human condition, but the girl has an undeniable knack for a hook as well. Songs like “Walking On Air” are entrancing and infectious, and they’ve garnered her some tangible heat. She even performed that particular track at the Scream Awards — also where she met Tim Burton.

“Scream was amazing. It was my favorite performance that I’ve ever given. All of the visuals and costumes made it incredible. Creatively, it was almost everything that I’d want for a show. It was also really comforting to see that there are people who appreciate the same kind of art that I do. I felt like I belonged.”

She may be far from where she was born, but Kerli feels like she belongs in L.A. too, for now. “I’ve surrounded myself with people that inspire me in Los Angeles. The view and the weather really inspire me. The feeling that if you really want something you can get it here inspires me. When I stand out on the balcony of the house I live in, I feel really small. Feeling humble inspires me. L.A. is huge. There are so many people running around like ants trying to make it. If you can make it work in L.A., you can make it work anywhere.” There’s no truer statement — and even few truer artists.

- RICK FLORINO

Get to Know Jason Bell

Get to Know Jason Bell

Jason Bell spend his life focusing on football but after getting hurt going into his senior year at UCLA he knew it could all go away in an instant. “Reality struck me then” recalls Jason Bell. He wondered if he would even make it to the NFL. Fortunately, for him he over came his injury but was still fearful that “it can be taken away again.” Bell came up with plan B. He grasped the business policies early on.

Crediting mentors that were successful both on and off the field. He is now getting certified and will focus on helping other athletes achieve their financial portfolios at Horizon Wealth Management. He found the transition from the locker room to the boardroom smooth. In part to his education at the University of California at Los Angeles, where he majored in history.

Playing a team sports gives you a foundation on how to deal with success, failure, working together and performing as an individual.

Not too different than in the business world.

One of failures Bell was forced to deal with while playing at UCLA was in September 1998, when undefeated UCLA was scheduled to play University of Miami. Hurricane Georges was looming and officials found it necessary to postpone the game until December. Many UCLA alumni, fans and students believe they would have played in the Rose Bowl that year had their winning streak not been interrupted by the natural disaster. Bell admitted that he cried. “It is harder to looking back on it now then at the time, because we knew how close were.” Bell still follows the Bruins religiously; a back injury prevents him from standing on the sidelines for too long. But, he never misses a game on TV. Football has built a strong foundation for Jason Bell after eight years in the NFL and a successful college career he has all of the necessary tools to succeed off the field as well.

His prediction for 2009 Super Bowl winners: The New York Giants.

Last Chance: The Lake’ Show is Starting

Last Chance: The Lake’ Show is Starting

Well it’s time to forget those harsh nightmares filled with Boston Celtics slam-dunks, threepointers, and celebrations (they actually dumped Gatorade on their coach — I thought that only happened in football). A new N.B.A. season is upon us and the Los Angeles Lakers are revving up for another run at the World Championship.

Most N.B.A. fans and analysts would agree that this is the Lakers’ year. They have the best player in the world in Kobe Bryant and a strong supporting cast led by Lamar Odom, Andrew Bynum and Pau Gasol. The team gelled together last season and made an incredible run after the All-Star break. Now they’re comfortable playing together and set to achieve what they couldn’t quite pull off last year — N.B.A. supremacy.

Kobe, with “Olympic Hero” added to his resume, seems truly content for the first time in his spectacularly tumultuous career. He finally has the added weapons it takes to climb the N.B.A. mountain and the mindset it takes to be a true team player. So everyone get your popcorn ready (T.O. stole that from me), because the Lake Show is underway.

- SCOTT CAMPBELL

Dolce Delights

Dolce Delights

Restaurateurs Lonnie Moore and Mike Malin have stepped up Hollywood nightlife by forming The Dolce Group. Most Los Angeles nightlife is here today and gone tomorrow, closing or renovating, sometimes after only months of opening. The Dolce Group seems to have broken the rules and set a new standard for longevity. In only a few short years the dynamic duo has built an empire starting with one small club in Hollywood to owning several top rated restaurants that cater to an impressive clientele. Dolce, Bella, Les Deux, Geisha House and Ketchup have sparked interest with foodies, A-list celebrities, the young and the old. They are what’s happening, and have replicated their Los Angeles based success in other top cities around the country, including Atlanta, D.C., Dallas and Reno.

Mike and Lonnie, best friends since summer camp, know what Los Angeles is hungry for. Upon moving to Los Angeles after college, they hit the top “see and be seen” places night after night and discovered that complete fulfillment was nowhere to be found. “We were just two young guys looking for a place to go out, and feel special and comfortable at the same time” says Lonnie. “We were tired of looking at boring menus, we were smart, but felt like the pressure of pronouncing a dish incorrectly caused an uncomfortable tension. And when you’re uncomfortable, you don’t have fun.” Lonnie and Mike set out to conquer the idea that fine dining should be fun. And, says Mike, “it should be an experience that titillates all of your senses.” They opened Dolce in 2003 with the help of Ashton Kutcher and other top name celebrity investors. Dolce presented itself as a hip Italian restaurant filled with flickering votive candles and sexy tones of ambient music. Celebrities not only lend their names to this place, they show up time and time again. “The celebrities will get people there one time, but if you don’t have the product, that novelty wears off,” says Mike. After two years of consistent success with Dolce, they realized they had created their own novelty in Los Angeles and were ready to open something that pushed the envelope a little further.

In 2005, the Dolce Group gave birth to Geisha House. “We felt that Los Angeles didn’t have enough originality, someone needed to take a chance,” says Lonnie. The bright red façade cannot be missed and the interior experience will not be forgotten. Geisha House brings you into the future, Tokyo 2050. The lighting surrounding the surreal décor is muted. Geisha girls serve drinks and food to the sounds of pumping music — the fantasy of the geisha lifestyle comes to life. With an impressive selection of rare sakes and fresh flavors of traditional Japanese cuisine, Geisha House has become a staple in Angelinos tour de nightlife.

In 2005 Lonnie and Mike opened Bella, their Italian restaurant and wine bar, which is right down the street from Geisha house. Although not as ostentatious as Geisha house, Bella is just as much of a scene and comes with all the same key elements that make the Dolce Group stand out. Bella conjures up a sense where every one could know your name, and your server will most likely remember it when you come back in search for more pasta.

A year later in 2006, Lonnie and Mike revamped old hot spot Les Deux with their golden touch and made it the new hot spot, with an atmosphere of old European glamour. Once inside Les Deux, you truly feel like Hollywood royalty. The patio is the main attraction and is outfitted with a central fountain. Candelabras tangled in freesias light the atmosphere, and the DJ plays your favorite songs all night long.

Ketchup is the newest creation from the Dolce Group. In this restaurant they have taken Los Angeles back to their childhood with a sophisticated twist on an old school diner. Located on the Sunset Strip in the hottest part of West Hollywood, Sunset Plaza. Ketchup is a visual sensation — “diner classy” with sleek modernism. Red globe chandelier lighting, reminiscent of tomatoes, fall from the ceiling and reflect elegantly off the glossy white floors. Sit pretty in one of the retro-plush white leather booths or strut over to the cocktail lounge with oversized floor to ceiling windows which spotlight the scene of Sunset Boulevard. Again, Mike and Lonnie have created a place that is a must try!

The Dolce group is on fire and it seems as though nothing can put them out. Lonnie Moore and Mike Malin invent new ideas everyday with one common plan of action. Mike confesses, “At the end of the day when we look at the positive energy and we see people happy in what we have created, we know that we have accomplished our goal!”

- KRISTEN CARPENTER

Heroes: A Name Befitting

Heroes: A Name Befitting

Entertainer Bob Hope was associated with charity and USO work long before the USO at LAX donned his name. An avid contributor to USO shows and charities throughout his long career, Bob Hope was perhaps one of the foremost supporters of US troops through his work with USO. In traveling to meet and entertain troops over the course of several wars, Bob Hope’s name became synonymous with promoting the mission that the United Service Organization was created to fulfill. The fact that his name was approved for use with only one USO in the world, only begins to shed light on the incredible volunteer effort and support to the US military that the Bob Hope USO at LAX provides.

Historically, the United Service Organizations were developed to increase the morale of American troops and to serve as a link to the American people. This simple objective has been the foundation behind numerous charitable efforts and causes under the umbrella of the USO. What was once an effort to bring celebrities and support to the troops in order to raise morale has now turned USO work into a multifaceted support system for troops and their families.

The nearly 4,000 sq. foot facility at LAX airport is so much more than a place for America’s travel weary troops to visit. The USO at LAX offers hot showers, a place to rest, movies, Cds, a library, overnight facilities, city resources, a 32 item menu (always including pizza) and Internet and phone access for troops to communicate with family and friends. These physical accommodations only begin to scratch the surface of what the USO at LAX offers America’s troops. Because what the Bob Hope USO at LAX promises to offer every visiting member of the U.S. military is something far more valuable: a piece of home. Open 24 hours a day, offering services at no cost, this independently funded facility is successful because of the time nearly 230 volunteers endlessly and selflessly provide, each week. A group comprised of senior officers, lawyers, teachers, mothers, fathers and policemen represents the perfect microcosm of a community in Los Angeles that is motivated to support and to give back to American troops.

Mike Teilmann, a retired US General, friend to the Hope family and current director of the USO at LAX, has played on a large part in turning the facility into one worthy of the Bob Hope name. In 2001, the USO, a quarter of its current size at its current location in the middle of LAX’s passenger terminal area, was nothing compared to the “home” it now represents for America’s troops.

When asked if Teilmann had any special accounts that were a good representation of what the Bob Hope USO means to troops passing through, his response was, “Yes. I have entire volumes of stories!” The Guest Book that is signed by troops who pass through the USO reveals accounts from soldiers arriving with the dirt from Afghanistan and Iraq still fresh on their uniforms. Troops are re-infused with feelings of safety and home. At times, remains pass through the USO and the darker side of what our troops put on the line each day for Americans is reflected in this somber reminder.

Whatever the account, phrases of extreme gratitude are overwhelmingly expressed. It is in these stories and in the faces of the troops that pass through the USO that the volunteers and businesses who donate time and money find rewards for their contributions. The gratitude these contributors feel must be the way Bob Hope felt in his tireless efforts with USO over decades. It certainly becomes obvious that the Bob Hope USO at LAX is an organization united in charity and befitting of the Bob Hope name.

- KIM WINTERNHEIMER

Emerging Talent: Between the Mumbles

Emerging Talent: Between the Mumbles

How do you know when you’ve written a hit song? Andre Merritt was in the booth. He had just improvised a song about paranoia. If there was any doubt in his young mind, it was quickly erased by a soft voice in his headphones. Singing superstar Rihanna happened to be in the studio.

“Britney’s not getting this one”, she said. That’s how you know it’s a hit.

“Disturbia” was a smash hit, his first number one, and had the extreme honor of opening the 2008 MTV Video Music Awards. Andre was in the audience for the performance as Rihanna electrified the crowd. Millions of music fans around the globe tuned in. It was a dream come true.

Riding a wave of recent success, Andre speaks about the future with confidence and refreshing candor. He and the Graffiti Artizts team are now producing their own material, transitioning from mainly songwriting to the production of a full-length album with long time collaborator Chris Brown, who worked with Andre on the hit single “Forever”. The move into producing will yield more creative control, but also more responsibility. Andre seems ready for it and confident in what can set his musical vision apart from the pack. He sums up his musical tastes saying, “I want to take Journey and Chicago and introduce them to Lauryn Hill. Ballads.” He is not afraid of using the word “weird”, trusting his own judgment to see (or hear) around the corner for what others might consider too eccentric. That musical foresight has already scored big with audiences with “Disturbia”, a brooding dance number that strikes an almost cinematic vision of an unnamed terror, advising, “the darkness is the light.”

Though much success has already come to this young man, Andre is acutely aware and unafraid of the challenges ahead. “I’m not gonna lie. It’s hard work. You wanna believe that people are gonna get you. You wanna believe that people are going to get your work, but a lot goes into it.” A mentor like Jay-Z can serve as inspiration, but the ever-changing technical and commercial elements of the modern music industry create a constant frontier for emerging musicians attempting to navigate the business.

Proving his bona-fide Angeleno status, the car is his refuge, funneling the energy of the city into his songs. Digital recorder at hand, he constantly records his adventures through the city, his thoughts, snippets of a burgeoning melody. He scours the recordings for an elusive melody happened upon at a red light, searching for, “that something between the mumbles.” That “something” is an enormous talent for cutting-edge songwriting as Andre continues his upward trajectory through the city.

- PIETZ PETERSON

Paul Allison III

Paul Allison III

In a place where the stars of Hollywood Boulevard dominate the artistic landscape, it can be easy to forget that Los Angeles plays host to thousands of aspiring virtuosos who choose neither a microphone nor the silver screen, but canvas and paint as their form of expression. With a city as full of characters as ours, Paul Allison finds no shortage of stimulation for his work. As a self-proclaimed “people watcher,” Allison can often be found touring local streets and shopping malls, scoping out the scenery and gaining inspiration for his next piece.

Working out of his two-bedroom apartment which he shares with his twin brother, visitors are immediately drawn to the vast sea of paint cans, brushes, and artwork that occupy his would-be dining area. Belonging to a rare breed of artist who builds his own canvases and incorporates a variety of unconventional materials into his work (which almost always consists of several unlikely layers and textures) his ‘studio’ of sorts is overflowing with an array of supplies one would never expect to see in a conventional painter’s workplace.

When talking with him about his work, many people would be quite surprised to find that the numerous layers which make his painting so unique are often due to Allison simply becoming disinterested or tired of looking at what lay before him on the canvas. Allison explained, “In high-school I had a teacher who told me that there can be no mistakes in art — because you can always erase or paint over it.” When examining his work, past and present, one can undoubtedly see that he has adopted this philosophy with his art. A great deal of Allison’s work can be viewed at galleries and charity events around the city, but he maintains that regardless of whether it is purchased or not, every piece of art he creates serves a purpose to him, if for no one else.

- KEVIN SOHAL

Joe Torre

Joe Torre

Then remind yourself that the Dodgers have compiled a 1-12 record in the playoffs over the past 20 years. For a team that consistently ranks amongst baseball’s highest payrolls, (Dodgers are 7th overall at $118, 588,536), they haven’t won a playoff series since 1988. Now Torre brings with him instant credibility and presence to an unquestionably talented roster that fell apart last September, partly due to in-house squabbling and a fractured clubhouse.

Pinch hitter Mark Sweeney, who has played for his share of managers, says Torre’s playing and managerial career made a clear statement in itself as does as his ability to communicate with a vast array of personalities. “It’s his credibility, the calmness and also the fire. It’s a rare combination because sometimes you have to be laid back, sometimes you have to be a little fiery, and he has everything. He has instant credibility because of what he’s done and especially from being with the Yankees and their success.”

Former Yankees’ broadcaster and current Dodgers’ broadcaster Charley Steiner says there’s a palpable change in atmosphere the moment Torre walks in the room. “I liken Joe to John Wayne in one of those old cowboy movies, the black-and-white movies from the 50’s. You know, he arrives in town, he gets off the horse and he has the spurs on his boots and he walks into the saloon. The swinging door opens and when he bellies up to the bar and the spurs stop jingling, the place turns silent and they wait to hear what this stranger has to say. That’s Joe!”

“When he walks into the room, it’s his room and it’s not because he’s loud. Joe was a great baseball player. He was a catcher and a third baseman and he hit .360 one year. He’s been an upper echelon player in his day, he’s managed for 20+ years and obviously had success in New York, so when he walks into the clubhouse, who is going to question him?”

Well, apparently just about everyone in New York did including insatiable Yankee fans, over-the-top New York media, and the Steinbrenner family, which made Torre’s decision to come to Los Angeles essentially a no-brainer. “When I left the Yankees and the Dodgers showed interest, to me, it was very intriguing,” explains Torre, who grew up idolizing Willie Mays and the New York Giants before switching allegiances to Eddie Matthews and the Milwaukee Braves, the team his older brother Frank played for.

“First of all, it’s the Dodgers organization. From growing up in Brooklyn and knowing what they represented to realizing I had been 12 years in New York with the Yankees, having the opportunity to move west was probably the best situation for me. The other league, the other coast, it just seemed like something that would be appealing. Southern California is more laid back than the east. I don’t think that’s a negative, it’s just the lifestyle is a little different. I’m not saying the need to win is any less than it is back east. With the Yankees, unfortunately, you couldn’t even reward or congratulate a successful year which meant winning more games than anybody in baseball and going to postseason. But once you’ve won four World Series in five years, anything less than getting to and winning a World Series is deemed a failure there and that became a little tough to swallow. But again, it’s expectations and sometimes you’re victims of your own success.”

Steiner says the day Torre arrived, Steiner simply looked at Torre and asked why it took so long for him to get to Los Angeles. “When I came out here, somebody asked me to compare the Yankees and the Dodgers,” explained Steiner. “And I said then that after a victory, the prevailing emotion should be one of joy, satisfaction, elation. In New York after a victory, the prevailing reaction was one of relief, and that’s very difficult to go through 162 times a year. God forbid you lose. There was an expectation, an unreasonable expectation of winning all the time. I don’t think Joe’s desire to win has diminished at all. The difference is he’s not walking around with a noose around his neck every day.”

Another aspect Torre found appealing was getting away from the highly invasive New York media, where an athlete’s private life is just as prone to end up splashed on the front page or in the sports section as actual game coverage. “Right now baseball is in the sports section, which is ideal for me. I think we always have to keep in mind even though sports are very important, these are our lives. Baseball has been my world just about all my life and it’s certainly a huge part of what I’ve done and what I care about, but it is a game and I think sometimes we’ve gone too far in needing to know about people’s private lives.”

Transitioning from the East Coast to the West Coast, from the Dhfriendly American League to the National League and from the City that never sleeps to the sunny, laid-back lifestyle of La-La Land was never the deciding factor for Torre. Uprooting his wife Ali and 12-year old daughter, Andrea Rae, who remain in New York until the end of July, was a heavy consideration. “I knew before I made that final decision there was the matter of uprooting my family and moving out west with a 12-yr old daughter — that’s not easy to do. But my Wife was a big part of the decision making, assuring me that my daughter would make the adjustment. It’s been tough and she hasn’t left the East Coast yet, but I think she’ll make friends and everything will work for her.”

While Torre admits he’ll miss the electricity of New York and the Broadway shows, he didn’t hesitate when asked if he’ll miss the Red-Sox-Yankees rivalry. “No! Not even in the slightest,” Torre says adamantly. “And again, it was great to experience it. The highs were very high and the lows were very low, but I think after 12 years, that was enough for me.”

While nothing in the NL resembles the bad blood between the Yankees and Red Sox, Torre was surprised to see that the Dodgers biggest arch rival appears to be the San Diego Padres, a fan reaction that caught him off guard. Two teams from So-Cal are actually capable of an intense rivalry? “When it comes to baseball, that laid-back stuff is out the window,” Torre said, laughing. “To win, you’ve got to be a little ferocious and we have a very good division here because of all the teams that have won or are close to winning. We certainly anticipate a tough go this summer.”

Perhaps the biggest difference for Torre is that he no longer has to put up with daily calls from George Steinbrenner or have his every move questioned by ownership and media alike. For Torre, baseball is once again an enjoyable game and he’s away from what Steiner best termed the three-ringed circus in New York Torre is doing what he does best, being a baseball manager. But make no mistake about it — Torre is indeed enjoying all the comforts of living in Los Angeles, including the terrific year-round weather.

“It’s the weather and the fact that you can go out to have a cup of coffee or a cup of Bigelow tea and relax. I always found Southern California to be one of the places where you can go out, eat outdoors and just sit there and be very comfortable. There aren’t very many places in the country that you can go and enjoy that relaxation. That’s one thing you didn’t get much of in New York, the chance to breathe a little bit and I find that’s most appealing here.” With his busy baseball schedule, Torre hasn’t found much time to explore many of L.A.’s hot spots, but he enjoys stopping by Dan Tana’s in West Hollywood for a late-night Italian meal after a baseball game or indulging in Piccatine di Vitello ai Capperi e Aglio Arrosto, or another of the delectable home made pastas prepared by Chef Antonio Mure at Carpacio’s along with a glass of Guado al Tasso on a rare day off.

The Dodgers will fly an estimated 54,417 miles upon completion of the regular season, and that’s time Torre uses to unwind. He doesn’t typically read much during the flights but takes advantage of his computer and DVD to catch up on some TV shows or pop in a Billy Crystal movie when he needs a good laugh. Crystal, who Torre proclaims to be a Yankee deep-down despite his periodic visits to Dodgers Stadium, actually gave him a line to use on David Letterman’s show when he discussed his move from the Yankees to the Dodgers. “I said, moving to the Dodgers, the biggest decision we have to figure out is who gets custody of Billy Crystal.”

As the dog days of summer approach, Torre is indeed a man rejuvenated from a fresh start in baseball, where billboards that say, “Hello Joe” plaster the Hollywood freeways and where the fans’ adulation has left him a little bit surprised and embarrassed.

He created over a decade of memories in New York and it’s almost inconceivable to think that the final year of Yankee Stadium will conclude without Joe Torre at the helm. When the last game is played and the final out is recorded, with it will go Torre’s most memorable moment as manager of the Yankees. “To me, it took me a long time to get to a World Series and to watch Charlie Hayes catch the final out in the ‘96 World Series. That will always be special because that was the first one and there will never be another first one.”

One era is gone forever in New York and a new one waits in Los Angeles. Torre is living large in L.A. and loving it along with the hopes of creating some memorable moments for Dodgers’ fans in the years to come. “He’s great for this team,” says First Baseman James Loney. “As a manager I think you’re supposed to just kind of know your players individually and know how to treat each one and he’s doing a great job of that.”

-MARTY CASWELL

Hero of the Season: The Power of Real Medicine

Hero of the Season: The Power of Real Medicine

Martina Fuchs’ L.A.-based Real Medicine Foundation has been established less than three years, but already it’s supporting more than 300,000 people from Afghanistan to Indonesia to Peru. In 2008, Martina’s first goal is to create a refugee clinic in Mozambique for victims of last winter’s floods. “We got a grant to establish the clinic. So the question was, should it be permanent or mobile?” she explains. She decided to design a mobile clinic, in cooperation with student aide workers from Vanderbilt University. “The first clinic will be on a truck and the second on a trailer that can be left for a week in a community,” she describes. “Then it can be picked up and delivered to the next area.”

In a country like Mozambique, where there is almost no healthcare in rural areas, people often have to walk as much as 20 miles to see a doctor — which is impossible for the sick or weak. Now, Real Medicine will come to them. “The roads are very bad, so you have to have really good suspension,” Martina muses. “But once we have the first one done, it can be duplicated. I’m confident we can have an impact.”

Long-term thinking is one of the key ideas that differentiate Real Medicine from other disaster relief services. Intentionally unencumbered by red tape, it’s often first on the ground after a disaster has occurred. But when other disaster relief organizations head to the next area, Real Medicine leaves a minimal staff behind to run long-term initiatives, using systems and infrastructure built during the initial effort. Sometimes, the ripple effect is greater than anyone realizes:

“When I was in the Mawella refugee camp in April 2005, there was a girl named Madumakela who was 11 years old,” Martina tells me. “She had the height of a 3-year-old because she was hit by a bus at age 3, and her pituitary gland was destroyed. She particularly needed human growth hormone (HGH), which is very expensive — about $500 a month U.S. But I thought I would start treating her anyway, trusting that somehow we’d get the help to continue, and we did. I’ve seen her recently, and she’s reaching normal height. And because of that, someone in the health ministry of Sri Lanka negotiated with New Zealand to lower the price of HGH. So now 40 kids in Sri Lanka who had similar conditions are being treated, just because I started treating Madumakela,” she finishes triumphantly.

Grant money and donations support Real Medicine’s initiatives, but much of the manpower is volunteer-based. Even the directors, who work with Martina in 11 different countries do so pro-bono.

Hopefully though, the Real Medicine Foundation will soon have a little money in its coffers. It’s one of two beneficiaries of August’s third annual Hot in Hollywood benefit, hosted by America Ferrara.

“We are very proud,” says Martina.
With her 2008 schedule already leading to Mozambique, Pakistan, Indonesia and Sri Lanka, Martina should be proud. She’s an inspiration to us all.

-LENA KATZ

PeopleJam

PeopleJam

PeopleJam
Even in Hollywood, no one stays young and carefree forever. Hence PeopleJam.com, the social networking site geared toward helping 25-49 year olds negotiate all of life’s significant landmarks, from career-hunting to surviving a breakup to becoming your parents’ caretaker. It’s the self-help section come to life, with back-and-forth online chats and the chance to critique those aggravating “experts” whose advice just makes no sense to you. For this alone, PeopleJam is worth visiting.

EMERGING TALENT – Paul Freeman

EMERGING TALENT – Paul Freeman

How do you get a record deal? You can try Paul Freeman’s approach. Strapping on an acoustic guitar, he hopped on RCA’s boardroom table, and serenaded industry legend Clive Davis with a heartfelt song entitled “You and I.” That was all it took for Clive to sign Paul. The young Welsh songsmith is now readying his debut for a summer release through RCA/Arista and “You and I” is set to be the first single. While dining on sushi at Makai in Santa Monica, Freeman comes off charismatic, funny and extremely friendly. As chichi businesstypes gather in the dimly lit, slick bar, Freeman reclines in a corner booth. Clad in a classy button-up shirt, with his dark hair perfectly “rock and roll,” his eyes dart around the restaurant with a youthful fascination. It’s apparent that he absolutely loves Los Angeles, and the city is perfect for his Bruce- Springsteen-meets-Oasis-arena-rock. Between sips of cold, imported beer, Freeman exclaims, “Pete Townshend said, ‘Once a British guy moves to Los Angeles, he never goes home.’ It’s true!If you’re even slightly artistic, you feel comfortable here.”

Paul’s definitely gotten comfortable in Los Angeles. He crafts melodic pop songs with a rock edge, and the City of Angels has served as inspiration. Tracks like the pensive and powerful “Earthquakes” were a direct result of L. A. life. “That song is about something dramatic happening and shaking your foundation, but the word ‘earthquakes’ wouldn’t have even been in my consciousness if I didn’t live here.”

Nothing can shake Freeman on stage. Whether it’s The Troubadour or Molly Malone’s, he treats each gig like he’s at Wembley Arena. During one big rock anthem, “Go On,” Paul ventures into the audience and engages even the most uptight, jaded crowds. He explains, “Whether you’re an artist, painter, musician or filmmaker, you’ve got to do something that’s going to resonate with people. That connection is something that everyone’s looking for. That’s why I like to leave the stage during my performances. I want to emphasize the fact that we’re all the same. I’m just a guy with a microphone and a guitar. I’m no better or worse than anyone else.”

As an artist, Paul needed the creative release that Los Angeles provided, and it’s served him well. “When I decided to leave London, it was either New York or here. L.A. has got a creative energy that no other city has to offer. There are upsides and downsides, but look out the window — the Pacific Ocean is literally hundreds of yards away. Who wouldn’t want to live here?”

- Rick Florino